“I met Anubhav on the first day he arrived in Bombay. He was a young kid, and I always thought he had immense faith in the power of a good script. And now, he is a grown up man who is on top of his game creatively. He is doing what he always wanted to do. He has always been a mind-blowing craftsman and today, he’s going after the subjects he firmly believes in. As for me, I have been in this zone for a long time now. I don’t want to produce films. I feel safe working with him. Anubhav looks after me. It’s reassuring that there is someone, a close friend like him, watching my back. He doesn’t intrude but I trust him to tell me where I go wrong.”
In recent years, the focus across the industry seems to have shifted to well-crafted scripts, innovative ideas and pushing the boundaries of traditional patterns of story-telling. Bring this up and Sudhir says, “I think I’m in a happy space. I have a series to work on, I have a historical story to direct. I could be doing another film with Nawaz. There’s a short film, an anthology and a commitment with Sameer Nair’s company, too. This is a great time to be around. I think this time in my life has come late but I can still do many things that I had been thinking about for 30 years or so. You no longer have boundaries. Everything is about characters and stories being told without making them boring. A lot of talented people are getting to work, and even become parallel stars. They can choose to not give a damn about the mainstream industry or straddle both zones – it’s their choice. There is room for experimentation; it’s great for the economics of the place. I think and I really wish this phase had kicked in a decade ago.”